No pen, no ink, no table, no room, no time, no quiet, no inclination.
Ink is a catalyst for seeing. It is definite and for the most part indelible. By drawing consistently with ink one learns to make clear decisions and develop better aim. I generally do not use a pencil underlay because it hobbles my responses and makes me lazy.
These drawings are done with ink but on 2 different papers by STILLMAN & BIRN.
ALPHA has a slight texture, which works very well when crosshatching. The paper helps to break up lines, and slow the movement of the pen. There are rabbits in the yard, so this piece was drawn in bits over time. Sometimes I will start one of these sketches and use it to focus, warm-up, or just meditate. It may be developed over weeks, with 5 or 10 minutes visits to build the image each time. Imagination comes into play combining different bits of landscape to develop a sense of space.
EPSILON has a smooth texture which I like a lot because it fosters a speedy line. The garden sketch combines marks made by both the PENTEL BRUSH PEN and a LAMY fountain pen. This is observational drawing. Navigating the chaos is the challenge when sketching. Challenging one’s skill level is the point!