TRY EVERYTHING: Listen to what you see…

FIGURE STUDY: STILLMAN & BIRN EPSILON JOURNAL. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. LAMY SAFARI pen, Noodlers Ink, Pitt artist pen, NEOCOLOR 2 crayon in gray, Davy's gray watercolor wash

FIGURE STUDY: STILLMAN & BIRN EPSILON JOURNAL. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. LAMY SAFARI pen, Noodlers Ink, Pitt artist pen, NEOCOLOR 2 crayon in gray, Davy’s gray watercolor wash.

I have taught my students not to apply rules
or mechanical ways of seeing.
JOSEPH ALBERS

Back drawing the figure regularly after a hiatus of more than a decade.

Clocked a lot of time in dark studios in the past, mostly in New York: Spring Street Studio ( a.k.a. Minerva’s group ), SVA, PARSONS, ART STUDENTS LEAGUE, … the list goes on and on.

Back then, I was using CONTE CRAYON, pencil, or charcoal. Now I am using ink. If the drawing is not truthful in the first few meaningful strokes, all the erasure in the world probably won’t help. Ink keeps you honest. Ink forces you to be AWAKE: every moment, every stroke.

5-minute study. © 2014 ELLEN WARD. All rights reserved.

5-minute study. © 2014 ELLEN WARD. All rights reserved.

The best book: JAMES McMULLAN, HIGH FOCUS DRAWING

McMullan also has an OPINIONATER blog about approaches to drawing called LINE BY LINE.

Check him out!

5-MINUTE STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN, Noodlers Ink, Pitt artist pen

5-MINUTE STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN, Noodlers Ink, Pitt artist pen

 

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