Posts Tagged ‘neocolor’

EVERYDAY ABSTRACTION

July 4, 2015
Cropped section, full figure study. copyright 2015 ELLEN WARD. All Rights Reserved. Do not reproduce or Pin on Pinterest. Caran D'Ache Neocolor 2 on Canson Mi-Tientes paper.

Cropped section, full figure study. copyright 2015 ELLEN WARD. All Rights Reserved. Do not reproduce or Pin on Pinterest. Caran D’Ache Neocolor 2 on Canson Mi-Tientes paper.

Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
MARCEL DUCHAMP

5 minute warm-ups. copyright 2015 ELLEN WARD. All rights reserved. Do  not reproduce or PIN ON PINTEREST.

5 minute warm-ups. copyright 2015 ELLEN WARD. All rights reserved. Do not reproduce or PIN ON PINTEREST.

Early morning sketches at the NORTH CAROLINA ACADEMY OF ART…

Advertisements

EMBRACING THE UNKNOWN through the known

July 2, 2015
Dad and Me. copyright 2015 ELLEN WARD. ALL RIGHTS RESERED. Do not reproduce, or PIN ON PINTEREST. CARAN D' ACHE NEOCOLOR 2 crayons on CANSON MI- TIENTES paper.

Dad and Me. copyright 2015 ELLEN WARD. ALL RIGHTS RESERVED. Do not reproduce, or PIN ON PINTEREST. CARAN D’ ACHE NEOCOLOR 2 crayons on CANSON MI- TIENTES paper.

There are things known
and there are things unknown,
and in between are the doors of perception.
ALDOUS HUXLEY
Presently engaged in a positive struggle with the medium.
This was a phrase a teacher wrote in my evaluation as an early art student.
Maddening and puzzling at the time,the comment confused me. Consulting a MAGIC EIGHT BALL would have been more useful. Or perhaps a basket of fortune cookies would have been more satisfying. At any rate, I probably responded with a snotty THANKS KRESKIN and moved on…continuing to positively struggle with the medium with no appreciation of what that actually meant.
Later years proved the brutal honesty of this assessment: experimentation IS a positive struggle with a medium. The only way we learn ANYTHING is through playful experimentation.
It is way too hot to sketch on location the past week, but I wanted to learn how to manipulate CARAN D’ACHE NEOCOLOR 2 PASTELS to get some specific effects. Selfies are a good way to manage a new medium. If results are heinous, adding a mustache and a gnome hat are viable options at the end of a session! Antlers are even better.
Pastel is like poetry: it is a short ride to SUPERBAD. Pastel needs to have a sense of immediacy,variation in mark-making, a measure of authenticity, and lack of artifice. One needs to know when to stop. Knowing when to stop is the hardest thing to learn and almost impossible to teach. We need to find the borderland between done and overdone on our own.
Refraining is the most potent meditation.