Posts Tagged ‘NOODLERS INK’

TRY EVERYTHING: Listen to what you see…

July 24, 2014
FIGURE STUDY: STILLMAN & BIRN EPSILON JOURNAL. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. LAMY SAFARI pen, Noodlers Ink, Pitt artist pen, NEOCOLOR 2 crayon in gray, Davy's gray watercolor wash

FIGURE STUDY: STILLMAN & BIRN EPSILON JOURNAL. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. LAMY SAFARI pen, Noodlers Ink, Pitt artist pen, NEOCOLOR 2 crayon in gray, Davy’s gray watercolor wash.

I have taught my students not to apply rules
or mechanical ways of seeing.
JOSEPH ALBERS

Back drawing the figure regularly after a hiatus of more than a decade.

Clocked a lot of time in dark studios in the past, mostly in New York: Spring Street Studio ( a.k.a. Minerva’s group ), SVA, PARSONS, ART STUDENTS LEAGUE, … the list goes on and on.

Back then, I was using CONTE CRAYON, pencil, or charcoal. Now I am using ink. If the drawing is not truthful in the first few meaningful strokes, all the erasure in the world probably won’t help. Ink keeps you honest. Ink forces you to be AWAKE: every moment, every stroke.

5-minute study. © 2014 ELLEN WARD. All rights reserved.

5-minute study. © 2014 ELLEN WARD. All rights reserved.

The best book: JAMES McMULLAN, HIGH FOCUS DRAWING

McMullan also has an OPINIONATER blog about approaches to drawing called LINE BY LINE.

Check him out!

5-MINUTE STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN, Noodlers Ink, Pitt artist pen

5-MINUTE STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN, Noodlers Ink, Pitt artist pen

 

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SNIPPET TIPS: TOOLS & APPROACHES ON THE GO

July 22, 2014
BAR STUDY. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. HYBRID TECHNICA PEN

BAR STUDY. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. HYBRID TECHNICA PEN

Brevity is the soul of wit.
WILLIAM SHAKESPEARE

Using ten or twenty minutes to draw has really taught me a lot in the last two years. The amount of time it takes to wait for my entrée is often enough to quickly describe the moment. Now I have a greater appreciation of what can be accomplished in small increments. These snippets add up on the page and in positive experiences at the end of a week, month or year. Whether drawing from observation or illustrating an idea, sprints of practice can show progress rather rapidly. IMPORTANT NOTE: In general I wait a bit to let ANY INK dry into the paper, if the paper is sized.

Below are some tools I like to use for snippets. Sometimes I combine all 3 tools in the same sketch.

AFTERNOON LIGHT. © 2014 ELLEN WARD. All rights reserved. HYBRID TECHNICA PEN.

AFTERNOON LIGHT. © 2014 ELLEN WARD. All rights reserved. HYBRID TECHNICA PEN.

PENTEL HYBRID TECHNICA GEL PENS
These pens have a roller ball and are water resistant once dry. They come in several point widths. I like them particularly for really fast, scribbled sketches. A ballpoint pen is a really humble tool and is capable of great variety. I like to use pigment ink for longevity, so I prefer to use these pens rather than the kind used in most office supply. The gel ink gives a really smooth line and rarely develops the dreaded BLOB-ITIS I remember from high school. BLOB-ITIS creates greasy wads of ink on the edges of the rollerball, landing unpredictably on a sketch in defiance.

A scribbled sketch generally takes only a few minutes. I try to create a condition of light and emphasize the overall shape of objects or figures.

KANNAPOLIS CITY PARK. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI with Noodlers ink

KANNAPOLIS CITY PARK. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI with Noodlers ink

LAMY SAFARI FOUNTAIN PENS
These fountain pens are great because they are rugged, easy to use, and are relatively inexpensive. The marks have an expressive quality that is difficult to mimic with a technical pen, and the mess of carrying a dip pen is not a factor. I use Noodler’s BULLETPROOF INK for permanence or completely compromise and use a LAMY cartridge. The NOODLER’s ink is waterproof so I often prefer to use it if I want to place wash on top.

KANNAPOLIS STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN with NOODLER's INK

KANNAPOLIS STUDY. © 2014 ELLEN WARD. All rights reserved. LAMY SAFARI PEN with NOODLER’s INK

A fountain pen sketch really makes me conscious of the types of lines I am creating and reinforces the idea that all drawing is abstract.

DOWNTOWN CONCORD, NC. © 2014 ELLEN WARD. All rights reserved. PITT ARTIST PENS & HYBRID TECHNICA PEN.

DOWNTOWN CONCORD, NC. © 2014 ELLEN WARD. All rights reserved. PITT ARTIST PENS & HYBRID TECHNICA PEN.

FABER-CASTELL PITT ARTIST PENS
These pens are available in a full complement of gray tones, which are excellent for developing drawings on the go. I usually buy the BIG BRUSH pens because I like to cover a big area fast. The fine-line markers are really nice to render detail. I always have a large black BIG BRUSH pen to fill in large areas rather than crosshatch into madness.

CABARRUS PARK. © 2014 ELLEN WARD. All rights reserved. HYBRID TECHNICA PENS WITH WASH

CABARRUS PARK. © 2014 ELLEN WARD. All rights reserved. HYBRID TECHNICA PENS WITH PITT ARTIST PENS

Gray toned drawings can really conjure a sense of place and light quickly.

WILMINGTON NC SNIPPET. © 2014 ELLEN WARD. All rights reserved. DEAD BRUSH WITH INK.

WILMINGTON NC SNIPPET. © 2014 ELLEN WARD. All rights reserved. DEAD BRUSH WITH INK.

THE DEAD BRUSH
When you have a brush that has died you have nothing left to lose: bring a small bottle of ink and work with the dried old crusty hairs. You can throw it away if you choose when you are done!

 

 

URBAN SKETCHING: WILMINGTON NC 2014

July 17, 2014

JOHNNY MERCER PIER in the morning. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. Noodlers ink in a LAMY SAFARI with watercolor wash ( lamp black, davy's gray ).

JOHNNY MERCER PIER in the morning. © 2014 ELLEN WARD. ALL RIGHTS RESERVED. Noodlers ink in a LAMY SAFARI , watercolor wash ( lamp black, davy’s gray ).

Sunscreen, umbrella, hat, water, towels, t-shirt, beach book ( THE BEST UNREQUIRED READING edited by Dave Eggers. I give it 4 stars ).

The list is lengthy if you are on the pasty side and heading for the beach.

When I looked at my fully stocked pencil case, the large fistfull of PITT artist markers & the full palette of watercolors, I realized that the experience of “BEING THERE” should be primary and not the experience of ” DRAGGING THERE” all the bits and bobs one might WANT but does not NEED to describe the moment. The length of that sentence describes the feeling perfectly. TOO MUCH.

THE SANDEATER. © 2014 ELLEN WARD . ALL RIGHTS RESERVED. Noodler's Ink in a LAMY SAFARI, with Watercolor wash ( lamp black, davy's gray )

THE SANDEATER. © 2014 ELLEN WARD . ALL RIGHTS RESERVED. Noodler’s Ink in a LAMY SAFARI, with Watercolor wash ( lamp black, davy’s gray )

Doubt Faber-Castell designed the markers to bake on the sand anyway.
I filled 2 LAMY SAFARI pens with NOODLERS BLACK ink, carried a tiny palette with LAMP BLACK /DAVY’S GRAY, and a single flat brush. A paper cup held water for the limited washes on the beach. Less was definitely more.

One toddler was a sand-eater. He seemed to alternate between throwing gobs into the air and filling his mouth. I yelled to his mother “SAND-EATER” and  she replied, ” Yeah. He does that.”  Can’t stop the tide. Clearly can’t stop a dedicated sand eater. With at least 4 or 5 other boys under her charge, I guess she would know. No doubt a lot of sand has worked its way through them at one time or another. Probably puts ALL-BRAN to shame.

THE WILMINGTON tour of port. © 2014 ELLEN WARD. All rights reserved. Noodler's Ink in a LAMY SAFARI with watercolor wash ( lamp black, davy's gray )

THE WILMINGTON tour of port. © 2014 ELLEN WARD. All rights reserved. Noodler’s Ink in a LAMY SAFARI with watercolor wash ( lamp black, davy’s gray )

A tour of the harbor was full of facts about the history of Wilmington, but I was more interested in spotting some of the dolphins and sea turtles seen on the earlier trip. At 3 in the afternoon it was incredibly hot, so I wanted to capture the feeling of being in a fully shaded interior with intense daylight outside. Just a pen was enough to commit the experience to memory.