Posts Tagged ‘STILLMAND AND BIRN ZETA’

PAINTING OTHERS TO FIND YOURSELF

July 16, 2015
CROPPED, full figure. MAN WITH AN OLIVE WALL. . copyright 2015 ELLEN WARD. All Rights Reserved. Do Not Reproduce or PIN on PINTERST. Caran D'ACHE Neocolor 2 on STILLMAN AND BIRN ZETA PAPER.

CROPPED, full figure. MAN WITH AN OLIVE WALL. . copyright 2015 ELLEN WARD. All Rights Reserved. Do Not Reproduce or PIN on PINTEREST. Caran D’ACHE Neocolor 2 on STILLMAN AND BIRN ZETA PAPER.

Painting is self-discovery. Every good artist paints what he is.

JACKSON POLLOCK

I have been attending open session figure drawing classes this summer. It is the best meditation. Trying to truly see another person takes complete concentration, complete surrender on a certain level. Once the drawing process begins to take form, it is impossible to consciously THINK about anything else: one is fully invested in the present experience.

This sketch has been cropped for posting from a full figure pose.
I am using Caran D’Ache NEOCOLOR 2 watersoluble pastel crayons on STILLMAN AND BIRN ZETA multimedia paper. Strong fine lines are made with Conte pencil or DERWENT DRAWING pencil crayon. Zeta paper is able to withstand layers of wash and drawing without pills or abrasion.
Working over the course of about 2 hours, the slight adjustments of the model make me realize that nothing in life is still. Nothing. Charting movement, light, and singular moments of clear color become the activity. The wordy thinking-mind is silent. The eye is open. When the model takes a breath, so do I.
The end result is a surprise. The journey is everything.

PAINTING WITH CRAYONS: Caran D’ Ache NEOCOLOR 2 + Stillman & Birn Zeta

June 19, 2015
BETTER PART OF SHADOW. copyright 2015 ELLEN WARD. ALL RIGHTS RESERVED. DO NOT REPRODUCE or Pin on Pinterest.

BETTER PART OF SHADOW. copyright 2015 ELLEN WARD. ALL RIGHTS RESERVED. DO NOT REPRODUCE or Pin on Pinterest.

Painting is an illusion, a piece of magic,
so what you see is not what you see.

PHILIP GUSTON
I really want to paint. In oil. In pastel.
But, it is sensible for me to avoid solvents and toxicity issues for health reasons and because there is not a dedicated ” work sink”. EXCUSES EXCUSES…CRY ME A RIVER….
So I have been muttering about exploring casein but slow to pull the pin on that grenade, when there are plenty of art supplies in studio. * {I still have a set of egg tempera in a drawer because at some point I realized I would have a better time dropping beans in a bottle with my nose rather than pick away stroke by stroke like a monk in the Middle Ages}.
Can I reinvent my process with existing materials, to get a painterly experience without fumes, pigment dust, or cruddy brushes? MAYBE. Let’s not give in to a failure of imagination before July.
The pastel yearning can be answered with Caran D’Ache NEOCOLOR 2 watersoluble wax pastels.
The painterly yearning can be addressed by starting with a toned ground which will allow me to manipulate surface paint into smudges and smears. I used Daniel Smith’s watercolor ground with a touch of M. Graham gouache for tint, based on a recommendation from my friend Janis ( a superior watercolorist and pigment poobah of the highest order ).
The need for a versatile surface can be answered by STILLMAN + BIRN’S ZETA mixed media paper.
Working alternately wet and dry with these crayons has opened up some new possibilities in life drawing sessions.  Just beginning to apply some ‘know- how’ to interpreting some other ideas to this method.
Just might be a painter’s summer yet!